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UAD Ultimate Bundle Crack includes all 104 plugins developed by UA from our world-renowned library of iconic analog games. Universal Audio’s senior DSP engineers work with original equipment manufacturers to create UAD plug-ins. The Ultimate 8 Bundle Crack uses its precise circuitry, gold blocks, and expert ears to bring all the warmth of classic analog gear into your DAW.

Overview:

Founded in 1958 by Bill Putnam Sr., Universal Audio has been synonymous with innovative recording products from the start. The late Bill Putnam Sr., the beloved engineer of Frank Sinatra, Nat King Cole, Ray Charles, and many others, was a passionate innovator, considered by many to be the father of modern recording – many of his Legendary studio designs and equipment are still in use today.

For our latest shoot-out we thought we would have some fun and put the Universal Audio 1176LN limiter versus the UAD 1176LN plug-in to see which one you prefer, or maybe if you can’t tell the difference. The Audio 3 mono sources were selected for the test; bass guitar, acoustic guitar and female v. Own the Legendary 1176 The Stones, Zeppelin, Michael Jackson — you've heard it on countless classic recordings. It's the legendary 1176LN. In 1967, Bill Putnam released the solid-state redesign of his venerable 176 tube compressor, ushering in the modern era of dynamics processing.

In particular, Putnam was the inventor of the modern recording console, multiband sound equalizer, and vocal booth, and he was the first engineer to use artificial reverb in commercial recording. Along with his friend, Les Paul Putnam was also involved in the early development of stereophonic recording.

Putnam, a natural entrepreneur, founded three audio companies throughout his long career: Universal Audio, Studio Electronics and UREI. All three companies created equipment that remains widely used decades after their introduction, including the popular LA-2A and 1176 compressors, and a 610-tube recording console. The 610 consoles in particular are one of the most beloved designs in audio history, used to record everyone from Sinatra to the Beach Boys and Van Halen’s eponymous debut.

Universal Audio Ultimate 8 OCTO PCIe Bundle with Over 100

UAD Ultimate Bundle Crack is the largest UAD plug-in package offered by Universal Audio and contains all plug-ins developed by UA up to a specific version of UAD software. The Ultimate Bundle is periodically updated to include the latest UAD plugins, so there are different versions of the Ultimate Bundle, each containing a different UAD plugin, depending on when each Ultimate Bundle was released. When a new Ultimate Bundle is released, it replaces the old Ultimate Bundle, so it is no longer possible to purchase the old Ultimate Bundles listed in this article.

The complete UAD Ultimate 8 package includes over 100 VST plugins developed by U Audio. It includes Cambridge EQ, Galaxy Tape Echo, Precision Maximizer, and many more. The Precision Maximizer for UAD-2 Hardware and Apollo Interfaces is an easy-to-use dynamics processor that magically increases perceived volume without destroying the critical dynamic range of your track. For many years, the Precision Maximizer has been the perfect companion for Grammy-winning mastering engineers like Paul Blakemore and design studio engineers looking to quickly focus on a rough mix. By combining Universal Audio’s analog/tube audio know-how and digital mastering expertise, the Precision Maximizer becomes an essential tool in any mixing toolbox.

  • With 8 SHARC processors to calculate UAD plug-ins without loading the CPU of the host computer
  • Operation of up to 4 cards in one system
  • Supported sample rates: 44.1 – 192 kHz
  • Includes 104 plug-ins developed by UA with emulations of well-known devices by Ampex, Lexicon, Helios, Neve, Manley, Avalon, Studer, Fender
  • Supported formats: VST, AU, RTAS, and AAX 64.

UAD Ultimate 8 Bundle:

  • Contains 104 UA-developed plug-ins up to and including UAD v9.11.0
  • AKG® BX 20 Spring Reverb Plug-In
  • Ampex® ATR-102 Mastering Tape Recorder Plug-In
  • (API) 2500 Stereo Bus Compressor Plug-In
  • API 550 Parametric EQ Plug-In
  • [API] 560 Graphic EQ Plug-In
  • API Vision Channel Strip Plug-In
  • Avalon VT-737sp Tube Channel Strip*
  • Bermuda Triangle Plug-In
  • Brigade Chorus Pedal Plug-In
  • Cambridge EQ Plug-In
  • Capitol Chambers*
  • Century Tube Channel Strip Plug-In
  • Cooper® Time Cube Mk II Delay Plug-In
  • CS-1 Channel Strip Plug-In
  • dbx® 160 Compressor / Limiter Plug-In
  • DreamVerb Room Modeler Plug-In
  • Empirical Labs Distressor™ Plug-In
  • Empirical Labs FATSO™ Jr. Tape Sim. & Compressor Plug-In
  • Empirical Labs FATSO™ Sr. Tape Sim. & Compressor Plug-In
  • EMT® 140 Classic Plate Reverberator Plug-In
  • EMT® 250 Classic Electronic Reverb Plug-In
  • EP-34 Tape Echo Plug-In
  • (Fairchild®) 660 Compressor Plug-In
  • Fairchild® 670 Compressor Plug-In
  • [Fairchild®] 670 Legacy Compressor Plug-In
  • Fender® ’55 Tweed Deluxe Plug-In
  • Galaxy Tape Echo Plug-In
  • Harrison® 32C Channel EQ Plug-In
  • Harrison® 32C SE Channel EQ Plug-In
  • Helios™ Type 69 Legacy EQ Plug-In
  • Helios™ Type 69 Preamp and EQ Plug-In
  • KORG® SDD-3000 Digital Delay Plug-In
  • Lexicon® 224 Digital Reverb Plug-In
  • Lexicon® 480L Digital Reverb and Effects Plug-In
  • Little Labs® IBP Phase Alignment Tool Plug-In
  • Little Labs® Voice Of God Bass Resonance Plug-In
  • Manley® Massive Passive EQ Plug-In
  • Manley® Massive Passive Mastering EQ Plug-In
  • Manley Variable-Mu® Limiter Compressor Plug-In
  • Manley® VOXBOX Channel Strip Plug-In
  • (Multimode) Filter Plug-In (Moog® )
  • Multimode Filter SE Plug-In
  • [Multimode] Filter XL Plug-In
  • MXR® Flanger/Doubler Plug-In
  • Neve® 1073 Preamp & EQ Plug-In
  • Ocean Way Studios Dynamic Room Modeling Plug-In
  • Oxide Tape Recorder Plug-In
  • (Precision) Buss Compressor Plug-In
  • “Precision” Channel Strip Plug-In
  • ‘Precision’ De-Esser Plug-In
  • [Precision] Delay Modulation Plug-In
  • Delay Modulation Long Plug-In
  • Enhancer Hz Plug-In
  • Enhancer kHz Plug-In
  • Equalizer Plug-In
  • K-Stereo Ambience Recovery Plug-In
  • Limiter Plug-In
  • Maximizer Plug-In
  • Multiband Plug-In

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  • Precision Reflection Engine Plug-In
  • (Pultec EQP-1A) Passive EQ Plug-In
  • Passive EQ Plug-In
  • HLF-3C Passive EQ Plug-In
  • EQP-1A Legacy EQ Plug-In
  • Pultec-Pro Legacy EQ Plug-In
  • Pure Plate Reverb Plug-In
  • Raw Distortion Plug-In
  • RealVerb Pro Custom Room Modeler Plug-In
  • SPL® Transient Designer Plug-In
  • Channel Strip Plug-In (SSL® E Series)
  • (SSL® E Series) Channel Strip Legacy Plug-In
  • SSL® G Series Bus Compressor Plug-In
  • Bus Compressor Legacy Plug-In
  • Studer® A800 Multichannel Tape Recorder Plug-In
  • Studio D Chorus Plug-In
  • Gray Classic Leveler Plug-In Teletronix® LA-2A
  • Silver Classic Leveler Plug-In Teletronix® LA-2A
  • Classic Leveler Plug-In Teletronix® LA-2
  • Legacy Leveling Amplifier Plug-In Teletronix® LA-2A
  • Teletronix® LA-3A Classic Audio Leveler Plug-In
  • Thermionic Culture Vulture® Plug-In
  • Trident® A-Range Classic Console EQ Plug-In
  • TS Overdrive Pedal Plug-In
  • UA 175B Tube Compressor Plug-In
  • Tube Compressor Plug-In UA 176
  • Legacy Limiting Amplifier Plug-In UA 1176LN
  • Legacy Limiting Amplifier Plug-In UA 1176SE
  • Rev A Classic Limiter Plug-In UA 1176
  • Classic Limiter Plug-In UA 1176AE
  • Rev E Classic Limiter Plug-In UA 1176LN
  • Preamp & EQ Plug-In UA 610-A
  • UA 610-B Preamp & EQ Plug-In
  • V76 Preamplifier*

Minimum System Requirement:

  • Windows: 10 (64-bit version)
  • macOS: 10.12 Sierra, 10.13 High Sierra or 10.14 Mojave
  • Compatible DAW software
  • RAM (Memory): 4 GB
  • HDD Space: 6 GB
  • Processor: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core

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Times are good for building a DIY 1176. Where 1176's used to dangle from big-name engineers' racks like so many fruits from Tantalus' tree, they're now well within reach of anyone with a soldering iron and a modest budget. And where there was once but one DIY option (Gyraf's G1176), there are now a myriad to choose from. But why, indeed, so many projects when there is only one 1176? Revisions. According to Universal Audio's website, the 1176 underwent at least 13 revisions from 1967 to 1973. Most of these consisted of either cosmetic makeovers, such as rev H, or minor tweaks that didn't reach the audio path, such as revs D and E. Others, however, were overhauls that significantly affected the compressors' sonic character. With 'Mnats' (a veritable Bill Putnam of the DIY world) now offering PCBs for revs A, D, and F/G, 'which one should I build?' is becoming a common question. So without further ado, let's look at the revisions and what they can do for your sound...

1176 Revison History

Revisions A/AB June 20, 1967: Wild transients tremble in fear of the enigmatic 'Blue-Striped Terror.'

Bill Putnam created the first 1176 compressor in 1967. Although it was the basis for all 1176 revisions, the rev A has numerous peculiarities that set it apart from the others. It is the only revision to use FETs rather than bipolar transistors in the preamp and line amps. It is also cosmetically unique, sporting a distinctive blue stripe through the meter. Finally, the rev A does not have the low-noise circuitry of later revisions, which means it imparts more harmonic distortion at the expense of a higher noise floor. The Universal Audio website tells us that there were only 25 of this revision made (serial no. #101-125), which makes them about as rare as a piece of gear can be.

Mnats' Rev A PCB is actually based on what UA calls 'rev AB,' which changed some resistor values and added a bypass cap for the resistor feeding the gain-reduction FET. So, for all intents and purposes it is a rev A 1176, but with a more stable and controllable limiter.

Revisions C/D/E1970: A clean up, a suffix, and a dark new look.

Most 1176 fetishists reading this have already noticed two conspicuous differences between the rev A and the compressor most of us know today: the black front panel and the 'LN' signification. These were both introduced with rev C and codified with the rev D. 'LN' stands for 'Low Noise,' and all of the circuit changes in rev C were intended to reduce noise and distortion. These include reducing the voltage going to the gain-reduction FET to make its operation more linear, and incorporating a Q-bias pot to minimize distortion. Mnats reported that his rev D build tested 3.4dB quieter than the rev A.

1176

Revisions C, D, and E are all in fact the same circuit with some superficial differences. For rev C, the LN circuitry was kept in its own epoxy module to protect the not-yet-patented design, but was added directly to the main PCB for rev D. Rev E merely added 220v operation in order to aggravate transients on both sides of the pond.

Universal Audio's current reproductions are based on these revisions, so if you are looking to DIY an 1176 rather than buying a new one, rev D is the way to go.

Revisions F/G1973: Pulling out of class A / Integrating integrated circuits.

From the beginning the 1176 had used the class-A 1108 preamp for output gain. Rev F replaced this with a push-pull amplifier based on the 1109 preamp. This gives the rev F more output gain and a slightly different sonic character than previous revisions. In spite of this, this revision measures the lowest harmonic distortion of any revision, making it the best choice for those looking for 1176-style compression with less coloration.

Rev F replaced the UA-5002 output transformer with a Bournes B11148 which, according once again to the estimable Mr. Mnats, adds a small boost in the extreme high and low frequencies.

Revs F and G were also the first to incorporate integrated circuits. First, the rev F switched from a discreet to an opamp-based metering circuit, while the rev G replaced the input transformer with an NE5532 IC. This gives the rev G the potential to be the cleanest 1176 yet.

The Gyraf G1176 is based on rev F, but does not accept Ed Andersons B11148 transformer clone. Both revs F and G can be built on Mnats' rev F PCB.

Revision HThe final frontier?

Silver faceplate, red 'Off' button, blue UREI logo. That's it. Not much of a revision, really, and to my knowledge it has never been DIYed. Who wants to be the first to clone the front panel of the elusive revision H?

So, which one should I build?

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Odds are you probably know by now which revision appeals most to you. But in case you are still trying to sort out which one is right for you, let's do a 10-second, over-simplified takeaway:

Rev A: Juiciest, noisiest, vintagey-ist.

Rev D: Lower-noise, classic character. Closest to the modern repros from UA.

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Rev F/G: Cleanest, unique output transformer.

1176

Rev H: Snazzy faceplate.

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All revisions use the UTC-012 input transformer, except for G, which has no input transformer.

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All use the UA-5002 output transformer, except for F/G which uses the Bournes B11148.